Jumat, 30 Januari 2015

Free Ebook The Dobsonian Telescope: A Practical Manual for Building Large Aperture Telescopes

Free Ebook The Dobsonian Telescope: A Practical Manual for Building Large Aperture Telescopes

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The Dobsonian Telescope: A Practical Manual for Building Large Aperture Telescopes

The Dobsonian Telescope: A Practical Manual for Building Large Aperture Telescopes


The Dobsonian Telescope: A Practical Manual for Building Large Aperture Telescopes


Free Ebook The Dobsonian Telescope: A Practical Manual for Building Large Aperture Telescopes

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The Dobsonian Telescope: A Practical Manual for Building Large Aperture Telescopes

This book tells how you can build a state-of-the-art Dobsonian telescope using readily available materials and supplies. Every step of construction is detailedin photographs and diagrams, and the underlying ideas are carefully explained. As a result of this three-year collaboration between authors David Kriege and Richard Berry, experienced and well-known telescope makers, you now have the opportunity to build a high-performance telescope from 14 inches to 40 inches aperture based on the thoroughly tested designs described in this book. The Dobsonian telescope takes its name from the astronomer/philosopher John Dobson, who introduced the concept of inexpensive, large-aperture telescopes to astronomy. Amateur astronomers at the time were so amazed that a telescope builtfrom simple, inexpensive materials performed so well that they could hardly believe their eyes. As home-built Dobsonians started showing up at star parties across the nation and people saw what Dobsonians could do, the word spread. In just a few years, the Dobsonian revolution swept the world. Since those early telescopes, Dobsonians have improved dramatically. An entire generation of amateur telescope makers contributed their best insights and refinements to Dobson's original design. Today's Dobsonians are larger, lighter,and more precise than ever before. For example, it is possible to build a telescope of 20 inches aperture that is compact enough to transp

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Product details

Hardcover: 475 pages

Publisher: Willmann-Bell; 1st English ed edition (June 1, 1997)

Language: English

ISBN-10: 0943396557

ISBN-13: 978-0943396552

Product Dimensions:

6 x 1.2 x 9 inches

Shipping Weight: 1.7 pounds

Average Customer Review:

4.8 out of 5 stars

44 customer reviews

Amazon Best Sellers Rank:

#175,100 in Books (See Top 100 in Books)

What can i say that hasn't been said? this is a MUST HAVE book for anyone interested in MAKING a telescope, anyone interested in BUYING a telescope, or even anyone interested in astronomy. This has all the valuable information that other books omit. Most books on the subject tell you or show you how to do various things, but this is the only book I know of that actually gives you formulas and ratios to get things sized properly and to understand why things are the way they are.I had bought what i thought was a first edition- but it must have been written by John Dobson- because it was more like grinding a mirror and salvaging parts---and this is the way they make telescopes at obsession telescopes- (the commercial/retail telescope company they own).I have learned so much from this book and each time i go to make another- or fix some issue that I don't like- i read the book, and realize the error of my ways- or find a better way (than the way I did it or another book told me to do) and it always works. its rock solid- on point information and I cannot imagine even trying to make a telescope without it.Excellent book- worth every cent

I purchased this book to assist me in building the largest telescope of my life, a 21.5-inch F/6. I new that I would have to rethink everything I had learned in the past about building telescopes; with my last, and largest to date being a 13-inch telescope of rather conventional construction completed over 20-years ago. With this book I now have a working design ready to go the build my new telescope. There are telescope design and construction features that I had never thought of before in this book. I currently have the mirror box and the upper eyepiece cage well hand with confidence due design features plainly spelled out in The Dobsonian telescope. If you are going to build a very large Dobsonian I would highly recommend getting this book first. It will save you a lot headaches and dead ends you'd otherwise experience on your own.

A lot of good info on what mirror coatings to use, Little tube making of your own if you're going past 8". So so on grinding glass info, but shows how to make the cradle for it. Over all a excellent book over all. Must have for your information on telescopes. Comes with catalog to buy more detailed books not found in Amazon, so that will fill in the gap.

This detailed book address all the different aspects on building a Dob - with a focus on the mechanical parts and less on the mirror grinding. The basic Dob design seems so simple, but in fact there are many important technical metters to get right. For example, I was surprised at the detail required for suspending the mirror correctly. The book is now a little old - that does not affect the design details, but it misses many of the current web references that would be useful for an update.

Written by an experienced expert in a clear and understandable manner. Well organized tabular reference material. Prospective builders should have some woodworking experience, including the use of power saws and routers. Nicely hardbound book on quality paper with lots of good, sharp photos. Highly recommended

A very easily understood, "nuts and bolts" book for someone with a hankering to go BIG with their star gazing equipment, and want the satisfaction of DIY.I really enjoyed the book, the writing style is very easy to follow and understan without a lot of technical mumbo jumbo usally found in amature telescope making guides. I also liked the fact that the authors discuss the latest trend in light weight construction, open truss structures.It starts off with guiding one thru building a small scope and then utilizing that learning process to enable one to have the confidence to go to the BIG light buckets for deep space viewing.My kind of book, direct and to the point, without a lot of personal anectodal accounts, yet not dry and technical.If you're looking to build your own large size Dobsonian, then this is the ONE book to have.

This is THE book for Dobsonian Telescopes. Can be tough at parts and some of the pics seem or are dated. BUT. There really is no other book this detailed and this informative that can help you make a Dobsonian on any budget like this book can.have a great time

This is the gold standard for the construction of a great Dobsonian telescope! However, if your desire is to grind your own mirror, or to make a less than 12" dob, you might want to find another book. Richard Berry has written a great how to build a telescope book that covers several current build options. This book is for larger apparatus dobs, using premium grade construction materials.

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PDF Download Father Comes Home From the Wars (Parts 1, 2 & 3), by Suzan-Lori Parks

PDF Download Father Comes Home From the Wars (Parts 1, 2 & 3), by Suzan-Lori Parks

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Father Comes Home From the Wars (Parts 1, 2 & 3), by Suzan-Lori Parks

Father Comes Home From the Wars (Parts 1, 2 & 3), by Suzan-Lori Parks


Father Comes Home From the Wars (Parts 1, 2 & 3), by Suzan-Lori Parks


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Father Comes Home From the Wars (Parts 1, 2 & 3), by Suzan-Lori Parks

Review

"One of the top plays of the year... A richly textured mix of Brechtian allegory and Homeric epic, finding new meaning in an essential American tragedy.” ―Richard Zoglin, Time"By turns philosophical and playful, lyrical and earthy, Father Comes Home from the Wars (Parts 1, 2 & 3) swoops, leaps, dives and soars, reimagining a turbulent turning point in American history through a cockeyed contemporary lens... The wonder of Ms. Parks’s achievement is how smoothly she blends the high and the low, the serious and the humorous, the melodramatic and the grittily realistic." ―Charles Isherwood, New York Times"Suzan-Lori Parks’s stunning new drama is that rare work of art: one that bears the heavy burden of its subject matter―the peculiar institution of American slavery― but that carries it lightly... Parks brings the full force of her dramatic power. She both elevates her themes with echoes of classic literature, while at the same time doubling down on comedy... This is serious work that is seriously entertaining." ―Thom Geier, Entertainment Weekly"The best new play of the year... It is bold, hugely entertaining, moving and thrillingly ambitious. Suzan-Lori Parks bids fair to create a sprawling multi-part epic to plant alongside August Wilson’s monumental Century Cycle, one of the great achievements in theater history. Parts 4 through 9 (or more?) can’t come fast enough." ―Michael Giltz, Huffington Post"Suzan-Lori Parks may reach back to the ancient Greeks for references and structure, but her play delivers an in-themoment gut punch. Father Comes Home from the Wars is an insightful, poetic, often heartbreaking look at the devastations of war and slavery and the complications of freedom." ―Robert Feldberg, Bergen Record"One of the most provocative playwrights we have." ―Linda Winer, Newsday"Can one-third of something already be a masterpiece? Seems like it to me... People long for stories that engage the deepest possible issues in the most gripping possible ways. Father Comes Home from the Wars is one of thosestories―or maybe more than one." ―Jesse Green, New York"Brilliant, beautiful . . . This haunting work is funny and tragic, whimsical and lacerating, poetic and poignant... If Parks can sustain her sprawling project at this level as it moves forward, there’s every reason to hope it will ultimately become no less significant and emotionally resonant an undertaking than August Wilson’s ten-play Century Cycle." ―David Rooney, Hollywood Reporter"Parks’s richest, most satisfying play... The real news isn’t that Parks has hit the mark with a complex and ambitious work―she undoubtedly has. It’s that the playful spirit of her best work turns out to be alive and well." ―Tom Sellar, Village Voice"Suzan-Lori Parks has finally arrived at classical proportions: her Civil War triptych is built along the sharp, symmetrical lines of Greek tragedy and Homeric epic... The language is poetic and formal, a modified nineteenth-century slave idiom, imbued with Parks’s improvisatory, jazzy irreverence... After decades in which Parks encouraged us to get lost in the holes of history, she’s playing where theater began: with song, story, ritual and catharsis." ―David Cote, Time Out New York"Provocative and rich... earthy and irreverently funny, neither pompous tragedy nor Ken Burns–type reenactment." ―Elisabeth Vincentelli, New York Post"One of the top plays of the year... A richly textured mix of Brechtian allegory and Homeric epic, finding new meaning in an essential American tragedy.” —Richard Zoglin, Time"By turns philosophical and playful, lyrical and earthy, Father Comes Home from the Wars (Parts 1, 2 & 3) swoops, leaps, dives and soars, reimagining a turbulent turning point in American history through a cockeyed contemporary lens... The wonder of Ms. Parks’s achievement is how smoothly she blends the high and the low, the serious and the humorous, the melodramatic and the grittily realistic." —Charles Isherwood, New York Times"Suzan-Lori Parks’s stunning new drama is that rare work of art: one that bears the heavy burden of its subject matter—the peculiar institution of American slavery— but that carries it lightly... Parks brings the full force of her dramatic power. She both elevates her themes with echoes of classic literature, while at the same time doubling down on comedy... This is serious work that is seriously entertaining." —Thom Geier, Entertainment Weekly"The best new play of the year... It is bold, hugely entertaining, moving and thrillingly ambitious. Suzan-Lori Parks bids fair to create a sprawling multi-part epic to plant alongside August Wilson’s monumental Century Cycle, one of the great achievements in theater history. Parts 4 through 9 (or more?) can’t come fast enough." —Michael Giltz, Huffington Post"Suzan-Lori Parks may reach back to the ancient Greeks for references and structure, but her play delivers an in-themoment gut punch. Father Comes Home from the Wars is an insightful, poetic, often heartbreaking look at the devastations of war and slavery and the complications of freedom." —Robert Feldberg, Bergen Record"One of the most provocative playwrights we have." —Linda Winer, Newsday"Can one-third of something already be a masterpiece? Seems like it to me... People long for stories that engage the deepest possible issues in the most gripping possible ways. Father Comes Home from the Wars is one of thosestories—or maybe more than one." —Jesse Green, New York"Brilliant, beautiful . . . This haunting work is funny and tragic, whimsical and lacerating, poetic and poignant... If Parks can sustain her sprawling project at this level as it moves forward, there’s every reason to hope it will ultimately become no less significant and emotionally resonant an undertaking than August Wilson’s ten-play Century Cycle." —David Rooney, Hollywood Reporter"Parks’s richest, most satisfying play... The real news isn’t that Parks has hit the mark with a complex and ambitious work—she undoubtedly has. It’s that the playful spirit of her best work turns out to be alive and well." —Tom Sellar, Village Voice"Suzan-Lori Parks has finally arrived at classical proportions: her Civil War triptych is built along the sharp, symmetrical lines of Greek tragedy and Homeric epic... The language is poetic and formal, a modified nineteenth-century slave idiom, imbued with Parks’s improvisatory, jazzy irreverence... After decades in which Parks encouraged us to get lost in the holes of history, she’s playing where theater began: with song, story, ritual and catharsis." —David Cote, Time Out New York"Provocative and rich... earthy and irreverently funny, neither pompous tragedy nor Ken Burns–type reenactment." —Elisabeth Vincentelli, New York Post

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About the Author

Named one of TIME magazine’s “100 Innovators for the Next New Wave,” in 2002 Suzan-Lori Parks became the first African American woman to receive the Pulitzer Prize in Drama for her Broadway hit Topdog/Underdog. A MacArthur “Genius” Fellowship recipient, she has also been awarded grants by the National Endowment for the Arts, the Rockefeller Foundation, the Ford Foundation, the New York State Council on the Arts and the New York Foundation for the Arts. She is the recipient of a Lila Wallace–Reader’s Digest Award, a CalArts/ Herb Alpert Award in the Arts (Theatre) for 1996 and a Guggenheim Foundation Fellowship. She is an alumna of Mount Holyoke College and New Dramatists.Her numerous plays include Father Comes Home From the Wars (2015 Pulitzer Prize finalist, 2015 Edward M. Kennedy Prize for Drama Inspired by American History, 2014 Horton Foote Prize), The Book of Grace, Topdog/Underdog (2002 Pulitzer Prize), In the Blood (2000 Pulitzer Prize finalist), Venus (1996 OBIE Award), The Death of the Last Black Man in the Whole Entire World, Fucking A, Imperceptible Mutabilities in the Third Kingdom (1990 OBIE Award for Best New American Play) and The America Play. Parks’s work on The Gershwins’ Porgy and Bess earned the production a Tony Award for Best Revival of a Musical in 2012. In 2007 her 365 Plays/365 Days was produced in more than seven hundred theaters worldwide, creating one of the largest grassroots collaborations in theater history. Her work is the subject of the PBS Film The Topdog Diaries.Suzan-Lori’s first novel, Getting Mother’s Body, was published by Random House in 2003. Her first feature-length screenplay was Girl 6 written for Spike Lee. She’s also written screenplays for Brad Pitt, Denzel Washington, Jodie Foster and Oprah Winfrey, adapting Zora Neale Hurston’s classic novel Their Eyes Were Watching God, which premiered on ABC’s Oprah Winfrey Presents. As a film actor Parks has appeared in the fictional documentary The Making of Plus One, which premiered at the Cannes Film Festival in 2009.In November 2008 Suzan-Lori Parks became the first recipient of the Master Writer Chair at The Public Theater. At The Public, and as she tours the country, she performs her innovative performance piece, Watch Me Work, a play with action and dialogue/a meta-theatrical writing class. She also serves as a visiting arts professor in dramatic writing at New York University’s Tisch School of the Arts.Holding honorary doctorates from Brown University, among others, Suzan-Lori credits her writing teacher and mentor, James Baldwin, for starting her on the path of playwriting. One of the first to recognize Parks’s writing skills, Mr. Baldwin declared Parks “an astonishing and beautiful creature who may become one of the most valuable artists of our time.”

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Product details

Paperback: 192 pages

Publisher: Theatre Communications Group (June 23, 2015)

Language: English

ISBN-10: 1559365005

ISBN-13: 978-1559365000

Product Dimensions:

5.5 x 0.8 x 8.5 inches

Shipping Weight: 13.4 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

12 customer reviews

Amazon Best Sellers Rank:

#182,056 in Books (See Top 100 in Books)

A gift I was able to see performed in Chicago in 2018. On the stage there's more humor than on the page, where the power comes from its limitless heart.

Ms. Parks won the Pultizer Prize in Drama in 2002 for "Top Dog/Underdog." This play was a Pulitzer Finalist in 2015 (really, it is a collection of three short plays that follow the same few characters). It's central character is Hero, a slave from Texas who debates whether or not to follow his master, a recently appointed Colonel in the Confederate Army, to war. His master promises his freedom for his service, but he is pained that he would be fighting against the best interests of his race. This is the best intellectual debate presented in the play - to do what's best for oneself vs. what is best for one's country (or race, depending upon your perspective).Ms. Parks takes aspects of Homer's "The Odyssey" into the framework of the play (and there is a character named Homer). There are also elements of 2014-15 Black Lives Matter events and arguments presented as well (at one point, a character mimics the "hands up, don't shoot" gesture). There are a few powerful moments (particularly in a conversation in part 2 between Hero and a captured Union soldier), but not enough to make this a great play (at least to read - I hope to see it staged one day).Part 2 takes place in the summer of 1862. The characters in the play debate the merits of General US Grant and General Lee. While US Grant had won victories in February at Ft. Henry and Donnelson and the battle of Shiloh that spring, he was not in a high command. He was not promoted to Major General until October of 1863 and he didn't come East to begin his showdown with General Lee until 1864. There is no way that soldiers (or civilians) would debate Grant vs. Lee in 1862, nor even 1863. It's a mistake that most viewers won't pick up on, but it is a major major flaw that anyone with an interest in the Civil War would notice. Ms. Parks should have done a little more homework on this - it's a sloppy error.

Wonderful read! It has roots even in our society today. Takes some analytical reading to actually understand the story more fully

One of the most singular plays I've ever read. I love Guirgis, but I do not understand how this did not win the Pulitzer. I love having a hard copy for plays like this, and the sleek and thematic dual front and back covers are a gorgeous addition to this unmatched play. It will live on as a classic long after Parks' death. Do yourself a favor and buy it.

I had seen the first part at the Public Theater in NYC. Being able to read this magnificent play brought the experience back to me. Suzan-Lori Parks has written a masterpiece, soon to be regarded as a modern-day classic, I am certain! EVERYONE should read this play.

I read this to prepare for an audition and I'm glad that I did. This play draws many parallels to present-day and what's going on in the world. It is a good and quick read.

Not bad. I kept reading the play looking for an "aha" moment that brought some new insight into the motivations of many Black Confederates but didn't see anything very new or dramatic.

Duh, it's Suzan-Lori Parks....it's brilliant and amazing!

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Sabtu, 03 Januari 2015

Download Ebook , by Catherine Hodder Esq.

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Product details

File Size: 328 KB

Print Length: 142 pages

Page Numbers Source ISBN: 1545503265

Publisher: Go Solo For Success; 2 edition (June 14, 2017)

Publication Date: June 14, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B071GW1KBN

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Amazon Best Sellers Rank:

#120,141 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

As others have said, this is a good general guide for starting a law practice. It has lots of creative marketing, networking, and client generation ideas, but less information than I had hoped about the tech side of setting up a mobile practice. I got the paper version, so I can’t do a word search, but I don’t believe the word “laptop” actually appeared in the book at all. Being literal is an occupational hazard in the legal profession, but I was looking for more specifics about the kinds of hardware and software needed to operate a mobile office, what worked and what didn’t, what is cost effective and what’s not, etc. Still, it provided good ideas, ample food for thought, and great examples of creative problem solving and out of the box thinking. All in all, a worthwhile read.

"Law Office on a Laptop: How to Set Up Your Own Successful Mobile Law Practice is a truly comprehensive yet accessible guide to going solo. The new second edition adds valuable resources and considerations on social media and online presence that was absent from the first edition - which is more important and relevant now than it ever has been. Hodder and Sturmthal adequately prepare any lawyer or recent law school grad to gather the tools and build their own practice. This is a must read for anyone thinking of going solo or anyone who has recently taken the leap to go solo. Five stars."

I highly recommend Law Office on a Laptop! I am in my third year on my own and this really breathed fresh air into my efforts for my solo practice! Thank you! I got the digital copy, but since I found myself bookmarking a few pages, I will be ordering a hard copy for returning references! Easy read, but really meaty!

A great read for lawyers contemplating a mobile practice, what I'd call location-free. The authors cover all the basics in a thoughtful, encouraging style as well as offer digital resources. I enjoyed the conversational tone and stories. The book is a good repository of the information you need. I wish it offered more strategy and step-by-step guidance.

I was already thinking about taking my law practice mobile, and after reading the book I am more committed than ever. The information was direct and to the point on how to set up your law practice to be successful with I like to call "location independent" practice of law. You won't be disappointed.

This book opened my eyes to realizing my dream of starting my own solo. I am a transactional attorney. Why not go to the client and save on the rent as I am just starting out?

Short and sweet. Somewhat basic, but provides good advice for start ups. Good advice on credit card vendors.

I love how straight forward and clear the book is. It reads easy and gives actionable steps so you don't feel like you're lost or drowning in decision-making. I'm grateful for both authors for sharing their experiences.

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